Monday, December 1, 2014

Artificial is not confined to the false or contrived with the created often an homage to the naturally occurring. The synthetic dystopian futures we imagined remain grounded with mineral textures, aged patinas and gently weighted dips and folds.

Sienna King by Agnes Llyod-Platt | Fashion Futures
Tan Ngiap Heng | long exposure dance photography
Francoise Morellet | Quadrature du Carre No. 1, 2007
Recom Arthouse and Tom Price | Liquid Simulation
Takuro Kuwata | sculpture
Amanda Murphy by Benjamin Alexander Huseby | V #92 Winter 14/15
Olafur Eliasson | Riverbed, 2014-15
Ann Sofie Back AW14 by Benjamin Mallek | Thisispaper
Alexandre Francois/ CCCLXXIX | Annees-Lumiere
Style Heroine | Flipping Sides, October 27, 2014
Martin Azua | vase with stone
Julia Bergshoeff by Karim Sadli | Poetic Justice for The New York Times T Style Winter Luxury 2014
Alexandre Francois/ CCCLXXIX | Annees-Lumiere


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